Oscar Winner “The Hurt Locker” Sparks Debate Among Veterans
March 10, 2010 posted by Johnny Punish · 4 Comments
Many film critics and awards voters have praised ” The Hurt Locker’s” depiction of the U.S. military in Iraq, often singling out the bomb disposal drama for its authenticity. But as the film emerged and won the best picture at the 2010 Academy Awards, a number of active soldiers and veterans say the film is Hollywood hokum, portraying soldiers as renegades while failing to represent details about combat accurately.
The criticism, coming just before Oscar ballots were due Tuesday, highlights the delicate relationship between “The Hurt Locker” and the nation’s armed forces. Defense Secretary Robert M. Gates said the film is “authentic” and “very compelling”, He has recommended it to his staff. But the government says it pulled its “Hurt Locker” production assistance at the last minute in 2007, saying that the film’s makers were shooting scenes that weren’t in the screenplay submitted to the Defense Department, including a sequence that the government believed portrayed troops unflatteringly. The film’s producers dispute elements of the account.
Although “The Hurt Locker” has numerous supporters within the military — including Purple Heart winner Drew Sloan, who recently participated in a “Hurt Locker” panel discussion in Hollywood — the movie’s detractors share a consistent complaint about its representation of the Army’s Explosive Ordnance Disposal team as its members attempt to disarm improvised explosive devices.
The film, directed by Kathryn Bigelow, the first female to win the Oscar for Best Director, and written by journalist Mark Boal, stars Jeremy Renner as Staff Sgt. William James, an adrenaline-addicted bomb defuser who occasionally puts his unit at risk. Members of EOD teams in southern Iraq said in interviews arranged by the Army that “The Hurt Locker” is a good action movie if you know nothing about defusing roadside bombs or the military.
An EOD team leader in Maysan province, Staff Sgt. Jeremy D. Phillips, said, “My interest is bringing myself and my team members home alive, with all of our appendages in the right place.”
Although he was glad the film highlighted their trade, he disliked the celluloid treatment of EOD units. “There is too much John Wayne and cowboy stuff.”
Others are more supportive. Sloan, a former Army captain, said at the panel discussion that “The Hurt Locker” offered a perfect snapshot of modern conflict. “This is what’s going on for the men and women who are fighting this war,” he said.
Boal, who also produced “The Hurt Locker,” said the film was not intended to be a documentary or a training film. “We certainly made creative choices for dramatic effect,” he said. “But I hope the choices were made respectfully and conscientiously.”
At one point, “The Hurt Locker” might have been made with government cooperation. But just 12 hours before Lt. Col. J. Todd Breasseale was to fly to Jordan to serve as the Army’s technical adviser to “The Hurt Locker,” he said in an interview, he heard there might be problems. A Jordanian official told him that scenes were being shot that were not in the script that the Army had approved. Breasseale accused the producer of shooting a scene in which soldiers act violently toward detainees. (The military does not provide help to films depicting violations of the laws of war, unless consequences are shown.)
Boal said the production initially worked with the military but parted ways when it became clear the military would not approve of “The Hurt Locker’s” script.
“The Department of Defense did not support the movie. And my understanding is that they did not support ‘Platoon’ or ‘The Deer Hunter,’” Boal said of two of the most revered movies about the Vietnam War. “I am OK with that outcome because I didn’t want to change the script to suit them.”
So as the celebration goes on in Hollywood, the debate goes on as to whether his movie will go down in history as one the all time greats!
ABOUT THE FIRST FEMALE DIRECTOR TO WIN THE OSCAR FOR BEST DIRECTOR
Kathryn Ann Bigelow, born November 27, 1951, is an American film director. Her best-known films are the horror film Near Dark (1987), cult action Point Break (1991), and the Academy Award-winning war drama The Hurt Locker (2009).
Bigelow, with The Hurt Locker, became the first woman to win the Directors Guild of America Award for Outstanding Directing, the BAFTA Award for Best Direction, and the Academy Award for Best Director. The film also won the 2010 Academy Award for Best Picture and the 2010 BAFTA Award for Best Film and was nominated for the 2010 Golden Globe Award for Best Drama.
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No disrepect to the troops but those who have control over Washington DC decisions also have control over Hollywood decisions. A hollow cast indeed.
What were the critics looking for? Reality? Hey guys, this is only a movie not a documentary. That movie is like 99% of the combat movies I have seen. Sure as hell a lot of Hollywood thrown in. I have seen about all the ones on Korea and I know what is real and what is not, and I only laugh at it as presented. Lies and foolish acts add to it for the general public. Unless a combat vet they think it is all true. Like the guy that had a grenade thrown in his foxhole, flying about ten feet in the air and more than that from the foxhole There is not a time to kill the movie. If it was there would not have been so many watching it. It’s like a guy from WW 2 that said all his clothes were blown off. Only in the movies does that happen. Not to say some are not blown off. I was within 4 feet of a grenade, and about all that was nearly blown off was my knee and helmet. Don’t know to this day where that ended up. Had to get another from one of my dead comrades.
“”The film, directed by Kathryn Bigelow, the first female to win the Oscar for Best Director, and written by journalist Mark Boal, stars Jeremy Renner as Staff Sgt. William James, an adrenaline-addicted bomb defuser who occasionally puts his unit at risk. Members of EOD teams in southern Iraq said in interviews arranged by the Army that “The Hurt Locker” is a good action movie if you know nothing about defusing roadside bombs or the military.
An EOD team leader in Maysan province, Staff Sgt. Jeremy D. Phillips, said, “My interest is bringing myself and my team members home alive, with all of our appendages in the right place.”
Although he was glad the film highlighted their trade, he disliked the celluloid treatment of EOD units. “There is too much John Wayne and cowboy stuff.”
“”
So, no one has ever watched “PLATOON, FULL METAL JACKET, A BRIDGE TOO FAR” or any other Hollywood movies that combine a little bit of realism and a lot of hooplah to keep the audience awake.
Think about it, if they showed what actually went on, they’d see that there are a huge amounts of boring, time wasted, “hurry up and wait,” and everything else that goes hand in hand with the Military daily lifestyle. And no one would go to the movies or reccomend it to their friends.
Now I have not seen this particular movie for several reasons. The first was because by the time I was able to go ot the movies, it was not showing there anymore.
The second is because there is a particular Soldier that is not too happy because he is claiming that he was the person being portrayed as the main character, and has not been compensated for his actions. So, unless or until this matter has been straightened out, I refuse to help someone that is not helping the cause of the actual story/movie.