How to make well-meaning Americans into antisemites?
Make sure they read Peter Beinart’s Forward article, The One Thing Jews Should Be Doing To Combat White Supremacy.
Beinart, a light Zionist ‘intellectual’ has kindly revealed how American Jews reacted when they heard the “neo-Nazis” chant, “Jews will not replace us.” Some were fearful, but, Beinart asserts, many others were somehow amused by it. “Replace you? Where, behind the counter at Wendy’s? We’re successful, industrious, upper-middle class. You’re the dregs of society. Replace you? Don’t kid yourselves. When it comes to America’s class hierarchy, we replaced you and your kind long ago.”
One might advise Beinart that looking down on Goyim and calling them ‘neo Nazis’ and ‘supremacists’ while simultaneously engaging in his own tribal self-love, supremacist exercise is a very dangerous game.
Beinart claims that ‘white nationalists’ are largely a dysfunctional group of economy victims. “Studies show that in purely economic terms, white supremacists don’t differ much from the population as a whole. But they do differ from Jews, who are America’s wealthiest religious group.”
But “they [the ‘neo Nazis’] don’t just differ financially,” Beinart continues, “they differ culturally, too. They are far less likely to have been raised in stable homes.” Beinart then quotes a study by the Southern Poverty Law Center that points out that“one of the most common background characteristics [of ‘neo nazis’] is some kind of family disruption, whether that be divorce or parental abandonment, a parent becoming incarcerated, or substance abuse by one or both of the parents.”
Beinart apparently doesn’t know that Right wing thinkers blame the Jewish intelligentsia, largely the cultural Marxists, the Frankfurt School and Wilhelm Reich for the destruction of the Church, the eradication of family values, the obliteration of the patriarchal family and so on. Rightly or wrongly, the white nationalists see the Jewish elite as at the core of their plight. One would expect Beinart to make a minimal effort to learn the white nationalists’ argument before he writes about the topic.
In the most supremacist and stereotypical manner, Beinart counsels his fellow Jews to fool the goyim. “For synagogues, countering the conditions that produce neo-Nazism might involve assisting a church in a troubled area. Why? Because …white working-class Americans who attend church are less likely to experience divorce, addiction and financial distress.”
Beinart advises Jews to throw dollars at churches not because religion bonds the nation, but because it is good for the Jews. The church maintains the Goyim’s tranquillity and stops their kids from drifting toward “neo-Nazism.”
Beinart’s recipe for fixing American society is throwing money at white goyim. I really believe that someone should explain to Beinart that American society isn’t a zoo and white people aren’t monkeys.
Beinart ends his article recycling the usual Jewish Tikun Olam (fixing the world) mantra. “We (the Jews) answer hate by repairing the country in which we live.” This might be the time for Beinart, The Forward and their followers to stop trying to repair countries and the world. They would do better to self reflect. Probably a good place to start is by asking why all of that animosity has happened again, just 70 years after the liberation of Auschwitz.
Atzmon’s album Exile was BBC jazz album of the year in 2003. Playing over 100 dates a year, he has been called “surely the hardest-gigging man in British jazz.” His albums, of which he has recorded nine to date, often explore the music of the Middle East and political themes. He has described himself as a “devoted political artist.” He supports the Palestinian right of return and the one-state solution in the Israeli-Palestinian conflict.
His criticisms of Zionism, Jewish identity, and Judaism, as well as his controversial views on The Holocaust and Jewish history, have led to allegations of antisemitism from both Zionists and anti-Zionists. A profile in The Guardian in 2009 which described Atzmon as “one of London’s finest saxophonists” stated: “It is Atzmon’s blunt anti-Zionism rather than the music that has given him an international profile, particularly in the Arab world, where his essays are widely read.”
His new book The Wandering Who? is now available at Amazon.com