…by Jonas E. Alexis
Former Pussycat Doll Kaya Jones is getting closer and closer to the inexorable truth about the music and entertainment industry: They donât give a damn about musicians. People industry, Jones says, are primarily concerned about making money and getting rich. Pussycat Doll was essentially a front for what Jones herself called âa prostitution ringâ because that was exactly what the executives wanted. Jones tweeted:
âI wasnât in a girl group. I was in a prostitution ring. Oh & we happened to sing & be famous. While everyone who owned us made the $. How bad was it? People ask â bad enough that I walked away from my dreams, bandmates & a 13 million dollar record deal. We knew we were going to #1.
âTo be a part of the team you must be a team player. Meaning sleep with whoever they say. If you donât they have nothing on you to leverage.
âWhy donât we report it? Because we are all abused! I personally have been warned if I tell I will … you know end up dead or no more career. I hope more women & men come out & share their abuse & pain. We must shine a light on this issue in the entertainment business.â[1]
One of the members of the group, Simone Battle, committed suicide at the age of 25 in 2014. Jones thinks that the industry is largely responsible for Battleâs death: âI want the den mother from hell to confess why another 1 of her girl group girls committed suicide? Tell the public how you mentally broke us.â[2]
Jones continued to say that if members do not do what the executives wanted, then âthey have nothing on you to leverage. Yes I said leverage. Meaning after they turn you out or get you hooked on drugs they use it against you. Correct. Victimizing the victim again.”
Nicole Scherzinger was the lead singer of the Pussycat Doll. Scherzinger once declared: âTo be honest with you, I sometimes wish I were more slutty. Iâd probably be a lot more successful if I were⊠This is such a tough industry, you know. To make it, you really have to sell your soul to the devil.â[3]
So, to Scherzinger, being slutty is synonymous with having some kind of power.
As we have seen in the past, Kaya Jones is not the only person to conclude that the industry doesnât care about their own musicians. Again, it was DMX himself who declared that
âThe industry doesnât have to do with talent; itâs about playing the gameâŠThe industryâmoney, bitches, hateâŠThe industry is like âWaitâ! But in the street weâre like, âGet themâ!
âThe industryâif you ainât got a strong mindâwill break you down, [and] itâs a matter of time. The industry vultures with nothing to feast onâŠThe industry plays in the dirt, stays in the dirtâtest the wrong one in the industry and you will get hurt.
âThe industry wanted, dead or alive, new artists to sell their soulsâŠto survive. The industry donât give a fuck about you! But the industry couldnât make a dime without you!â
Sinead OâConnor and the late Robin Williams came to similar conclusions. But let us be clear here: if people like Jones want to remove the heavy yoke that the industry has put on them, then they need to go back to practical reason, which is their only defense against tyranny, abuse, and covert or sophisticated manipulation.
If these people continue to to-dance around the industry in order to gain power and fame, then they are putting themselves in dangerous position. And no one, not even Rose McGowan, has been able to defend that position rationally. We will delve into this issue over the weekend.
[1] âFormer Pussycat Dolls Member Opens Up About Alleged Abuse in Music Industry,â Sputnik, October 16, 2017.
[2] Jordan Sargent, âEx-Pussycat Doll Kaya Jones Says Group Was a âProstitution Ring,ââ Spin, October 16, 2017.
[3] âWhatâs new Pussycat? Nicole Sherzinger on being a global pop star and conquering an eating disorder,â The Independent, March 10, 2013.

Jonas E. Alexis has degrees in mathematics and philosophy. He studied education at the graduate level. His main interests include U.S. foreign policy, the history of the Israel/Palestine conflict, and the history of ideas. He is the author of the book, Kevin MacDonald’s Metaphysical Failure: A Philosophical, Historical, and Moral Critique of Evolutionary Psychology, Sociobiology, and Identity Politics. He teaches mathematics in South Korea.
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