By Gilad Atzmon
“In A Time Of Universal Deceit, Telling The Truth Becomes A Revolutionary Act” – George Orwell
At the moment, the Jewish State is experiencing growing political instability while exploring its ability to defy Netanyahu’s alleged criminality and his racial incitements against Arabs, while at the same time, the UK has been reduced into a dutiful Israeli remote colony.
Two day ago, the Lobby scored three significant victories that are indicative of Britain’s descent into an Orwellian dystopia. It is now an unfit habitat for intellectuals, artists and humanists and their exodus has begun.
But Zionist tour de force did not end there. We learned yesterday that singer, songwriter and right wing enthusiast Alison Chabloz was once again sent to jail: this time for eight weeks. The Zionist Campaign Against Antisemitism’s web site reports that “District Judge Jonathan Taaffe found Ms Chabloz guilty of breaching the conditions of her suspended sentence after blog posts that she published since June 2018 were found to constitute a breach of a social media ban.” Apparently the definition of ‘social media’* in Britain underwent a dramatic expansion this week in order to fit the Zionist call. The CAA was pleased to let us know their part in this fiasco, “the trial in Chesterfield today follows contact between Campaign Against Antisemitism’s lawyers and the National Probation Service.”
Gilad Atzmon is an Israeli-born British jazz saxophonist, novelist, political activist, and writer.
Atzmon’s album Exile was BBC jazz album of the year in 2003. Playing over 100 dates a year, he has been called “surely the hardest-gigging man in British jazz.” His albums, of which he has recorded nine to date, often explore the music of the Middle East and political themes. He has described himself as a “devoted political artist.” He supports the Palestinian right of return and the one-state solution in the Israeli-Palestinian conflict.
His criticisms of Zionism, Jewish identity, and Judaism, as well as his controversial views on The Holocaust and Jewish history, have led to allegations of antisemitism from both Zionists and anti-Zionists. A profile in The Guardian in 2009 which described Atzmon as “one of London’s finest saxophonists” stated: “It is Atzmon’s blunt anti-Zionism rather than the music that has given him an international profile, particularly in the Arab world, where his essays are widely read.”