The Glorious History of Handel’s Messiah
by Jonathan Kandell/Smithsonian.com
George Frideric Handel’s Messiah was originally an Easter offering. It burst onto the stage of Musick Hall in Dublin on April 13, 1742. The audience swelled to a record 700, as ladies had heeded pleas by management to wear dresses “without Hoops” in order to make “Room for more company.” Handel’s superstar status was not the only draw; many also came to glimpse the contralto, Susannah Cibber, then embroiled in a scandalous divorce.
The men and women in attendance sat mesmerized from the moment the tenor followed the mournful string overture with his piercing opening line: “Comfort ye, comfort ye my people, saith your God.” Soloists alternated with wave upon wave of chorus, until, near the midway point, Cibber intoned: “He was despised and rejected of men, a man of sorrows and acquainted with grief.” So moved was the Rev. Patrick Delany that he leapt to his feet and cried out: “Woman, for this be all thy sins forgiven thee!”
Now, of course, Messiah is a fixture of the Christmas season. Woe to the concert hall in the United States or Britain that fails to schedule the piece around the holiday, when, as well, CD sales and Web downloads of the oratorio soar.
Carol graduated from Riverside White Cross School of Nursing in Columbus, Ohio and received her diploma as a registered nurse. She attended Bowling Green State University where she received a Bachelor of Arts Degree in History and Literature. She attended the University of Toledo, College of Nursing, and received a Master’s of Nursing Science Degree as an Educator.
She has traveled extensively, is a photographer, and writes on medical issues. Carol has three children RJ, Katherine, and Stephen – one daughter-in-law; Katie – two granddaughters; Isabella Marianna and Zoe Olivia – and one grandson, Alexander Paul. She also shares her life with her husband Gordon Duff, many cats, and two rescues.