Katherine J. Wu/Smithsonianmag.com
In the spring of 1889, Vincent van Gogh checked himself into the Saint-Paul-de-Mausole asylum, seeking treatment for a series of psychotic episodes that had driven him to poor health, strained his personal relationships and cost him at least part of his left ear.
Van Gogh also turned his artistic lens inward, portraying the dreary, listless expression he saw when he gazed into the mirror. The result was his August 1889 self-portrait, a gloomy, uncharacteristically drab oil painting depicting his suited torso and gaunt, unsmiling face, barely cloaked beneath his beard.
Though the painting has been in Norway’s national collection since 1910, its untextured style and arrestingly dreary color palette, dominated by greens and browns, began to seed doubts among experts in the 1970s. Now, after half a century of controversy, Amsterdam’s Van Gogh Museum has announced that the self-portrait is “unmistakably”
Carol graduated from Riverside White Cross School of Nursing in Columbus, Ohio and received her diploma as a registered nurse. She attended Bowling Green State University where she received a Bachelor of Arts Degree in History and Literature. She attended the University of Toledo, College of Nursing, and received a Master’s of Nursing Science Degree as an Educator.
She has traveled extensively, is a photographer, and writes on medical issues. Carol has three children RJ, Katherine, and Stephen – one daughter-in-law; Katie – two granddaughters; Isabella Marianna and Zoe Olivia – and one grandson, Alexander Paul. She also shares her life with her husband Gordon Duff, many cats, and two rescues.