…by Jonas E. Alexis, VT Editor
The late DMX was the product of the industry, which often juices people out of their spiritual and mental labor, and then throws out the pulp. DMX realized that the industry itself was built to make people squeal without realizing it. DMX declared:
âThe Industry: it doesnât have to do with talent; itâs about playing the game. The Industry: money, bitches, and hateâŠThe Industryâif you ainât got a strong mindâwill break you down, [and] itâs a matter of time. They want you to dress like this and talk like thatâŠ
âThe industry vultures with nothing to feast onâŠThe Industry plays in the dirt, stays in the dirtâtest the wrong one in the industry and you will get hurt.
âThe industry wanted, dead or alive, new artists to sell their soulsâŠto survive. The Industry donât give a fuck about you! But the industry couldnât make a dime without you!â
That was actually the case with Michael K. Williams. If Williams had a decent job, a good wife, a decent and honorable job, and a decent family, he would almost certainly not have found himself in a situation where he had to sell himself in films like The Wire in order to survive. Williams was addicted to cocaine he was playing a gay man by the name of Omar in The Wire, the television series which lasted from June of 2002 until March of 2008. Williams remembered:
âI had to slip away to do drugs. I had to hide it. Iâd be gone for days at a time. I was lonely in that part of my life. I was broke, broken and beat up. Exhausted. Empty. I finally said, âI canât do this no more.â I didnât want to end up dead.â[1]
Williams would almost certainly not have been engaged in âan everyday struggleâ with drugs if he didnât embrace moral corruption in movies. Williams likened his drug addiction to sticking his head in a lionâs mouth. He said in 2012 that he was âplaying with fire.â Williams again admitted:
âI suffered from a huge identity crisis … But when I look at the characters, I got to exorcise my demons, a lot. In the end, I was more comfortable with Omarâs skin than my own. That was a problem.â[2]
Williamsâ identity crisis was a result of living an immoral life.
âWhen he wasn’t filming, he would go to Newark, New Jersey, to get drugs, spending much of his earnings from the series supporting his addiction.
âIt was just a matter of time before I got caught and my business ended up on the cover of a tabloid or I went to jail or, worse, I ended up dead. When I look back on it now, I don’t know how I didn’t end up in a body bag.â
Williams continued:
âI had to slip away to do drugs. I had to hide it. I’d be gone for days at a time. I was lonely in that part of my life. I was broke, broken and beat up. Exhausted. Empty. I finally said, ‘I can’t do this no more.’ I didn’t want to end up dead.”
In February of last year, Williams gave a talk to former prisoners, during which he said: âThis Hollywood thing that you see me in, I’m passing through.â Well, Williams passed through, but not in the way that he was expecting.
When people like Williams began to possess more money than they needed, they started to live a life that is completely foreign to the moral order. And immoral life leads to spiritual death.
âThey promise them freedom, while they themselves are slaves of depravityâfor people are slaves to whatever has mastered them.â 2 Peter 2:19
https://www.youtube.com/watch?v=p-areUvyBvA&t=1313s&ab_channel=LogosWars
[1] âMichael K. Williams Was Addicted To Cocaine When He Was Playing Omar On âThe Wire,ââ Huffington Post, Sepember 4, 2012.
[2] Ibid.

Jonas E. Alexis has degrees in mathematics and philosophy. He studied education at the graduate level. His main interests include U.S. foreign policy, the history of the Israel/Palestine conflict, and the history of ideas. He is the author of the book, Kevin MacDonald’s Metaphysical Failure: A Philosophical, Historical, and Moral Critique of Evolutionary Psychology, Sociobiology, and Identity Politics. He teaches mathematics in South Korea.
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